2018

Capriccio V

Cathedral of St. Ursus, Solothurn, Switzerland, 2018.

Duration: 42 sec.

Producer: Dicken Yiu.

 

This work is a virtual intervention in public space.

 

Limb II: Shannon Novak responds to 360-degree video content at Pataka

Pataka, Wellington, New Zealand, 2018.

Duration: 2 min., 30 sec.

Producer: Andrew Strugnell.

 

Shannon Novak responds to 360-degree video content at Pataka as part of his exhibition Nexus.

 

Gordon

Dunedin Public Art Gallery, Dunedin, New Zealand, 2018.

Duration: 3 min., 2 sec.

Producer: Iain Frengley.

Visualisation Engineer: Nick Young.

 

This is an augmented reality work by Shannon Novak that uses the Microsoft HoloLens. It formed part of his exhibition The Expanded Gallery.

 

Capriccio IV (Limb III)

Porirua Skatepark, Wellington, New Zealand, 2018.

Duration: 50 sec.

Producer: Dicken Yiu.

 

This work is a virtual intervention in public space as part of Nexus by Shannon Novak.

 

2017

Capriccio III (Vessel LV)

The Octagon, Dunedin, New Zealand, 2017.

Duration: 32 sec.

Producer: Dicken Yiu.

 

This work is a virtual intervention in public space as part of The Expanded Gallery by Shannon Novak.

 

Vessel LVII: Shannon Novak responds to the Dunedin Public Art Gallery

Dunedin Public Art Gallery, Dunedin, New Zealand, 2017.

Duration: 5 min., 45 sec.

Producer: Jon Chapman.

 

Shannon Novak responds to the Dunedin Public Art Gallery as part of his exhibition The Expanded Gallery.

 

Supertonic responds to the work Modulation

Courtenay Place Park, Wellington, New Zealand, 2017.

Duration: 9 min, 33 sec.

Producer: Evan Williams.

 

Supertonic responds to the work Modulation by Shannon Novak.

 

2016

Capriccio II

New Zealand Portrait Gallery, Wellington, New Zealand, 2016.

Duration: 48 sec.

Producer: Masaya Todoroki.

 

This work is a virtual intervention in public space.

 

Capriccio I

Auckland Central, Auckland, New Zealand, 2016.

Duration: 45 sec.

Producer: Masaya Todoroki.

 

This work is a virtual intervention in public space.

 

The Projection Band responds to work from Deep Concinnity

Te Tuhi, Auckland, New Zealand, 2016.

Duration: 20 min, 50 sec.

Producer: Ivan Mrsic.

 

The Projection Band responds to work from the exhibition Deep Concinnity by Shannon Novak.

 

2015

Listening Forms

NZME Building, Auckland, New Zealand, 2015.

Duration: 4 min., 57 sec.

Producer: Matt Smith.

 

Documentation of Listening Forms by Shannon Novak, an interactive public artwork.

 

2014

Myers Playground

Single channel animation, 2014.

Duration 3 min., 6 sec

Producer: Shannon Novak.

 

Jeff Henderson responds to the work For Arthur

Audio Foundation, Auckland, New Zealand, 2014.

Duration: 8 min., 40 sec.

Producer: Shannon Novak.

 

Jeff Henderson responds to the work For Arthur which formed part of the exhibition Organised Play by Shannon Novak.

 

A Short Crisp Sound opening performance

Futures Trading Co., Wellington, New Zealand, 2014.

Duration: 8 min., 7 sec.

Producer: Shannon Novak.

 

The Not Quite Quiet Choir open the exhibition A Short Crisp Sound by Shannon Novak.

 

2013

Scherzando

Auckland Art Gallery Toi o Tamaki, Auckland, New Zealand, 2013.

Duration: 7 min., 51 sec.

Producer: Shannon Novak.

 

Documentation of Scherzando by Shannon Novak which formed part of the group exhibition Freedom Farmers: New Zealand Artists Growing Ideas. Each work is an augmented reality intervention, revealed using a mobile device.

 

Pastorale

Sheep Meadow, Central Park, Manhattan, New York, USA, 2013.

Duration: 2 min., 56 sec.

Producer: Shannon Novak.

 

Documentation of Pastorale by Shannon Novak, an augmented reality intervention revealed using a mobile device.

 

Manhattan Phrase 40.74279,-74.008981 to 40.728411,-73.975679

Manhattan, New York, USA, 2013.

Duration: 5 min., 3 sec.

Producer: Shannon Novak.

 

Documentation of Manhattan Phrase 40.74279,-74.008981 to 40.728411,-73.975679 by Shannon Novak which formed part of the group exhibition Art in Odd Places: Number. Each work is an augmented reality intervention, revealed using a mobile device.

 

Screen Harmonics

Sir Paul Reeves Building, AUT University, Auckland, New Zealand, 2013.

Duration: 2 min., 54 sec.

Producer: Shannon Novak.

 

This is an augmented reality enabled work by Shannon Novak, activated using a mobile device.

 

String Section

Faculty of Arts, Auckland University, Auckland, New Zealand, 2013.

Duration: 1 min., 26 sec.

Producer: Shannon Novak.

 

This is an augmented reality enabled work by Shannon Novak, activated using a mobile device.

 

Score Generators

Aotea Centre, Auckland, New Zealand, 2013

Duration: 4 min., 46 sec.

Producer: Shannon Novak

 

Documentation of Score Generators by Shannon Novak, a series of augmented reality interventions revealed using a mobile device.

 

A Garden for Orpheus

George Fraser Gallery, Auckland, New Zealand, 2013.

Duration: 2 min., 37 sec.

Producer: Shannon Novak.

 

Documentation of A Garden for Orpheus by Shannon Novak, a series of augmented reality interventions revealed using a mobile device.

 

Transcriptions Verse 2

Multiple locations, 2013.

Duration: 40 sec.

Producer: Shannon Novak.

 

Documentation of Transcriptions Verse 2 by Shannon Novak, a series of augmented reality interventions revealed using a mobile device.

 

Transcriptions Verse 1

Multiple locations, 2013.

Duration: 56 sec.

Producer: Shannon Novak.

 

Documentation of Transcriptions Verse 1 by Shannon Novak, a series of augmented reality interventions revealed using a mobile device.

 

2012

Acoustic Synergy closing reception part 2

Ro2 Art Downtown, Dallas, Texas, USA, 2012.

Duration: 15 min., 11 sec.

Producer: Richard Serrano.

 

Documentation of the performances made in response to the exhibition Acoustic Synergy by Shannon Novak. In Part 2, Amanda Preston reads several of her poems written in response to the exhibitio

 

Acoustic Synergy closing reception part 1

Ro2 Art Downtown, Dallas, Texas, USA, 2012.

Duration: 16 min., 24 sec.

Producer: Richard Serrano.

 

Documentation of the performances made in response to the exhibition Acoustic Synergy by Shannon Novak. In Part 1, Amanda Preston reads the poem Metatron by Allene Nichols, Sean Sutherlin reads his poem Parallax, and James Ryland discusses mathematical forms, Metatron’s Cube, grid cells, and fractals.

 

Paradizo

Ro2 Art Downtown, Dallas, Texas, USA, 2012.

Duration: 5 min., 49 sec.

Producer: Danielle Georgiou.

Sound design: Cody Ross Rex.

 

This work is a collaboration between artists Danielle Georgiou and Cody Ross Rex and is a response to the exhibition Acoustic Synergy by Shannon Novak.

 

2011

One Song Three Composers closing reception

CentralTrak, The University of Texas at Dallas Artists Residency, Dallas, Texas, USA, 2011.

Duration: 10 min., 28 sec.

Producer: Hilly Holsonback.

 

Following a presentation by theorist Richard Merrick on synesthesia (as it relates to colour and sound), poets Amanda Preston and Allene Nichols take the stage. The poets wrote pieces in response to the exhibition One Song Three Composers by Shannon Novak.

 

One Song Three Composers opening reception

CentralTrak, The University of Texas at Dallas Artists Residency, Dallas, Texas, USA, 2011.

Duration: 10 min., 20 sec.

Producer: Shannon Novak.

 

Performers Christopher McGee, Luke Garrison, and Julia Pridavka open the exhibition One Song, Three Composers by Shannon Novak. They improvise from scan cards developed by Novak's mentor, New Zealand artist Michael Smither.